April 12, 2020

For the last month, I’ve been receiving emails from the US Embassy in Bucharest: health alerts, travel advisories, and increased warnings to return to the United States, unless I’m prepared to “remain abroad for an indefinite period.” Then, a few days ago, the inevitable came: Commercial flights to and from the U.S. have been suspended. 

It’s day 29 of social isolation, and I’m currently writing this from our office--the place I’ve turned into my journalism “classroom” for the last four weeks. The windows are open, the birds are chirping, and the warm sun is streaming in; though all I can focus on is the fact that someone in the neighborhood is playing La Bouche’s 1995 hit “Be my Lover.” Loudly. 

Friday, March 27th, 2020

Last night, my husband and I spent some time looking out the window. All around us, apartment buildings were full of light. Even the old, gray Communist block down the street--the one I assumed was condemned--had suddenly sprung to life. 

A man in his living room did squats. A woman folded laundry. We saw people cooking, eating. A couple danced in their kitchen. 

I thought back to a few months earlier when Luke and I were on an Alfred Hitchcock kick. We watched “Rear Window,” and the whole time I kept thinking, Why doesn’t anyone just close their blinds?

Tuesday, March 24th, 2020

It’s day 8 of distance learning, day 11 of social distancing. At first, people were jokingly referring to this as “Corona-cation.” It was sunny and warm, and the first day of online teaching began with pancakes and coffee on the balcony. I believe my husband and I even toasted to the “time off.” A few days later, we found a Coronavirus playlist on Spotify. We made Aperol Spritzes and listened to “It’s the End of the Word as We Know it” by R.E.M.